“I haven’t had a warm meal since I started blogging!”  said Chef John of Food Wishes at dinner.

How many times has some variation of this proclamation been heard or muttered in our food blogging circles? Everyone knows the meal time drill- Cook. Plate & style. Run it over to the home “mini-studio”. Fire away.  Decide the angles are no good.  Photograph again.  Still don’t like the lighting.  Shoot some more. Decide to settle with what is in the camera because the hunger pangs are making you shaky and the extra nibblings aren’t enough anymore. Finally it is time to sit down with your plate of wonderfully cool food.

There is a way to still have a warm meal.  It doesn’t even require the ability to go back in time or have  a clone to do everything for you.  Just a little planning and organization to set up your “Mis en Place for Food Photography.”

Mis-en-place set-up waiting for the warm food

Nearly any scarred denizen of the restaurant world’s underbelly with have the term and principles of “mis en place” burned into their psyche. Have everything prepped and ready that you may need before the day’s madness begins, ’cause when the rush hits, if all isn’t organized and ready it is going to be a long, miserable shift. This mindset carries into one’s home cooking, instilling a calm, organized way of cooking which can make preparing nearly any meal seem effortless.

This same approach can be applied to the food blogger’s photographic routine at home in the kitchen.  Anticipate, organize and prepare whatever can be done before even starting to cook so that when the dish is done, the time spent capturing its beauty through the lens is quick and efficient.

Setting is ready to go for the finished food

Set up Where and What will be needed for the shoot.

  • Choose the best place to photograph and set your scene and equipment.
  • Cutting boards or whatever surface you’ll be shooting on or using as a backdrop ready and laid out.
  • Bounces, foam boards, scrims.  Whatever will be needed for managing light.
  • Styling accessories ready and laid out (napkins, utensils, glasses, plates, garnishes).
  • Don’t forget the camera.  Choose the best lens, check battery life and camera settings. Make sure the media card is loaded.
  • Setup up flashes if needed and get them dialed.

Do a Mock Shoot with a stand-in before taking final shot. This is huge!

  • Setup everything like it would be done with the final dish, only using a stand-in dummy (Not your husband, ladies.  A substitution for the food!) ~ Yes, there will be a couple extra dishes to wash, but this is where the time-consuming, dish-cooling photographic work can get hammered out. The same time which was spent figuring out the lighting, styling, and composing with the live dish is now appropriated to a moment before any cooking happens. (Or if your dish is has a long time of solitary cooking, the mock shoot can be done during this break.)
  • Sometimes this may mean buying an extra ingredient or two, but not always.  If shooting a pork chop, maybe shoot the raw version first.  A paper weight, crumpled paper towel, a bowl full of dried beans can work as stand ins. (Sometimes the shot is simple enough to not even need a stand in on the plate.) Use imagination and what is convenient and on hand.

Mock looks good ~ Set out clean plates for the final dish and cook.

  • Remember to have clean plates, utensils, etc ready for the final dish.
  • After making the final dish, all that is needed is to swap out the dummy, garnish, sometimes make minor adjustments to the styling or lighting, and shoot.

All of this work seems like it’s going to add extra time in photographing the dishes.  However after developing a routine, if anything it will make shooting the food faster. Everything for the shoot needs to be taken out regardless of whether it is done before or after cooking, but by doing it ahead of time without the pressure of quickly changing food and the impending dining, it is easier to remember everything.  All the time spent during the mock shoot was normally moments wasted fiddling with the completed dish dying in front of the lens. Same stuff just different time. A better time.

By using a “mis en place” mentality, everything is organized, it’s easy to develop quick routines, and the final dish doesn’t sit in front of the lens forever. Welcome back to the land of warm meals.

final shot and the pastries are still warm!